Hammer Time

Wow. It's been awhile.

This is an illustration I painted recently for a large point-of-sale poster. The company is Hammer Bowling and I like their style. They project an image like no other bowling company. Nuff said.

The text and logo were added by Firecracker Studios, the agency that hired me for this project.

Strange Twist of Providence

I painted the above image a long, long time ago in a studio not so far away...

This is an OLD, OLD image. Actually, it's an image I painted about 15 years ago in 1993. This image was for a card set for Topps called Star Wars Galaxy 2. The idea behind the set was to let artists depict events from the Star Wars saga that didn't necessarily happen onscreen. This led to many imaginative ideas from many different artists.

My concept was to depict a younger, pre-Vader Anakin Skywalker brooding over the shoulder of his wife and the mother of Luke Skywalker and Leia Organa. Presumably, only Leia had been hidden from Anakin and that is why this image is sans baby Leia. This was to be my first nationally published illustration and I waited on pins and needles for the card set to be released. It was like being 5 years old and waiting for Christmas to arrive. When the cards were released, I got a big, kick-in-the-teeth surprise...my image was not part of the set. I called my editor at Topps immediately. He explained that George Lucas, himself, had pulled some images from the set because they depicted events from the, yet unknown, prequel trilogy. Happy day.

There are a couple things that I find interesting about the image. First, my depiction of Padme (I had no idea of her name at the time...this was 6 years before Episode 1) looks a bit like Natalie Portman. Second, Anakin's shadow on the wall is in the shape of Darth Vader. I've always wondered if this image might have influenced Lucas even just a little tiny bit in his casting of Natalie Portman or even the decision to have little Anakin's shadow be in the shape of Darth Vader in an early Episode 1 promo poster. Probably not, but I can dream. Can't I?

Fast forward to this morning. I got an e-mail from Topps this morning letting me know that they were dusting off this old image and including it in the new, soon to be released, set of Star Wars Galaxy cards (with beautiful box art from my buddy and artist extraordinaire, Russell Walks). Apparently, Lucasfilm approved it for inclusion and they are printing it after 15 or so years. I don't know the context of the use, however. I sure hope they include info letting folks know how old this image is. I don't necessarily want people to assume this is a new image from me. I hope my work has progressed and changed a bit since painting this (notice all the grainy colored pencil?). I would approach this image so differently today in terms of painting technique, lighting, camera angle, body positioning, and composition. I find this image to be pretty ugly, these days.

At any rate, this is fun news and it's kind of cool to see something come full-circle like this.

Point to ponder: Does the printing of this image make it the first official depiction of Padme?

image copyright Lucasfilm, Ltd. and Topps, Inc.

Anatomy of an Illustration

The above images show the progression from initial sketch to finished illustration (or series of illustrations) for a piece I painted for National Geographic Magazine.  The two-page spread told the true story of Bruce Means, a scientist that was bitten by a rattlesnake while alone in the wild.  He was far away from help and had to fight to stay alive while making the long trek back to civilization and medical help.

1. The first sketch served as a thumbnail sketch for the project.  It's a little more finished than my thumbnails tend to be but there was a lot of information to convey in a fairly small space.  At this point I'm mainly setting up composition and figure placement.
2. The second sketch is a more finished sketch that was produced a little larger and is beginning to show more detail.  It also begins to use Bruce Mean's likeness that was pulled from video screenshots and combined with posing a model in the studio for drawing reference.  The foreground panels are also beginning to take shape and show the process of cell degradation that is happening within Mean's body.  The panel composition also needed to change at this stage to allow for the spine of the magazine.  Otherwise, an important piece of the illustration could get lost in the binding.
3. The third image is a color rough.  If time and budget allow, a color rough can help a client better envision the finished piece and show the color palette the illustrator is planning to incorporate into the piece.  Both this stage and the final illustration were produced in watercolor.
4. The fourth image is the finished illustration.  Notice how a panel has been dropped to open space for a block of text on the right.  Also, notice how the foreground panels' content changes throughout the process.  Working through the sketch and rough process with a client can help them to "nail down" exactly what they want the final illustration to depict.  

all images copyright National Geographic magazine

IT'S ALIVE!!

I'm very happy to announce that my new website is now "live!"  So, feel free to head on over and poke around a bit.  There's lots of info and even a few "easter eggs" if you can find them.  Over time, there will be new content added and new images in the Gallery section.

I'm very, very grateful to my buddy, Mark Johnson, for taking my designs for the site and making them actually work.  Mark constantly took my ideas and added his own twist and expertise, making them so much better than I could have dreamed.  Mark is an amazing artist and web designer and I'm so glad he agreed to help me by putting this monster together.  Thank you, Mark!!!

Mark has also been the model for many of my characters over the years.  If you go to the Projects: Batman section of the site, you can see Mark and his lovely wife, Cammie, in reference photos from Batman: Absolution several years ago.

Click the link below to check out the new site:

BRIAN ASHMORE ILLUSTRATION

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